A chronicle thinker, Prabhakar Barwe is best known for his thought experiments with object-form-content interrelationships. Born in the family of sculptors, Barwe’s father, Shivram, worked in various film studios, making sculptural molds for commercial use and, significantly, his grand-uncle, Vinayak Pandurang Karmarkar, who was well known for strictly following the academic genre of realism. Barwe’s spent his initial years in the Konkan village, where he was born, and his later years in Bombay (now Mumbai) surrounded by the natural and creative atmosphere.
Like a brocade bridge that takes you back in time, the personal textile collection of India’s most renowned costume designer Bhanu Rajopadhye Athaiya leads you deeper into both her inherited legacy and the one she herself created.
We present a rare collection of first editions (most are either the first editions or early printings), printed in India and from the difficult-to-source period of the 1920s to 1960s. Many of these books are un-documented and have never been offered by antiquarian book dealers. Being printed in India very few copies of most have survived, making pricing exceptionally challenging in the absence of comparables.
Stated below is the text of the second catalogue of the Bombay Progressive Artists' Group in collaboration with the Calcutta Group. Gobardhan Ash's works were exhibited in the joint show of the Calcutta Group and Progressive Artists’ Group alongside masters such as K.H. Ara, Francis Newton Souza, Maqbool Fida Husain, S.H. Raza, H.A. Gade, and S.K. Bakre at Calcutta in 1950. This document is indeed a historically prominent yet lesser-known artistic discovery in the world of modern Indian art.
In the world of antiquing, provenance refers to the history of an acquired object. The provenance of a piece traces its origin back to its owner(s) or where it comes from. A certain artifact could belong to a previous era, like a glorious chandelier that once illuminated the ballroom of a magnificent palace. Or a scatter of old maps, manuscripts, and sheets quietly tucked away in between the pages of old books at a library.
Antiques from the past quietly turn back the clock to bygone days. Nostalgia wafts in the air as the musty scent of age-old rarities fills your senses. And soon, you realize that antiquing is less about a point in time and more about timelessness. Be it a wise old Satinwood chest of drawers or an elaborate Rosewood cabinet that stood the test of time, these old keepsakes possess an eternal charm.