Prinseps

ART · DESIGN · LUXURY



Discovering layers, Bhanu Athaiya

"I wish my mother had seen all this because it was something that was just after her heart," said Radhika Gupta, the daughter of the Oscar-winning costume designer and artist Bhanu Athaiya. Talking about the documentation of her mother's antique textile collection recently consigned to Prinseps, Radhika Gupta dotes over her mother's inherited legacy.  
Read More
Discovering layers, Bhanu Athaiya
Discovering layers, Bhanu Athaiya

Discovering layers, Bhanu Athaiya

"I wish my mother had seen all this because it was something that was just after her heart," said Radhika Gupta, the daughter of the Oscar-winning costume designer and artist Bhanu Athaiya. Talking about the documentation of her mother's antique textile collection recently consigned to Prinseps, Radhika Gupta dotes over her mother's inherited legacy.  

The making of Wadia Movietone: A history

A sailing ship on top of which is perched an eagle ready to take flight, hinting towards an adventure is the Wadia Movietone logo. A tribute honoring and representing the Wadia family legacy. The Wadia Movietone Logo was inspired by the stained glass windows of Lovji Castle - the abode of the illustrious founder of the Wadia family. The Wadia Group has roots in shipbuilding going back to 1736. 
Read More
The making of Wadia Movietone: A history
The making of Wadia Movietone: A history

The making of Wadia Movietone: A history

A sailing ship on top of which is perched an eagle ready to take flight, hinting towards an adventure is the Wadia Movietone logo. A tribute honoring and representing the Wadia family legacy. The Wadia Movietone Logo was inspired by the stained glass windows of Lovji Castle - the abode of the illustrious founder of the Wadia family. The Wadia Group has roots in shipbuilding going back to 1736. 

Whispering Green: Moving towards 'Chance Aesthetics' by Jes…

A chronicle thinker, Prabhakar Barwe is best known for his thought experiments with object-form-content interrelationships. Born in the family of sculptors, Barwe’s father, Shivram, worked in various film studios, making sculptural molds for commercial use and, significantly, his grand-uncle, Vinayak Pandurang Karmarkar, who was well known for strictly following the academic genre of realism. Barwe’s spent his initial years in the Konkan village, where he was born, and his later years in Bombay (now Mumbai) surrounded by the natural and creative atmosphere.
Read More
Whispering Green: Moving towards 'Chance Aesthetics' by Jesal Thacker
Whispering Green: Moving towards 'Chance Aesthetics' by Jesal Thacker

Whispering Green: Moving towards 'Chance Aesthetics' by Jes…

A chronicle thinker, Prabhakar Barwe is best known for his thought experiments with object-form-content interrelationships. Born in the family of sculptors, Barwe’s father, Shivram, worked in various film studios, making sculptural molds for commercial use and, significantly, his grand-uncle, Vinayak Pandurang Karmarkar, who was well known for strictly following the academic genre of realism. Barwe’s spent his initial years in the Konkan village, where he was born, and his later years in Bombay (now Mumbai) surrounded by the natural and creative atmosphere.

Documentation of Bhanu Athaiya's Heirloom Textile Collection

An intensive documentation and study of the personal textile collection of Bollywood's most iconic costume designer, Bhanu Rajopadhye Athaiya. 
Read More
Documentation of Bhanu Athaiya's Heirloom Textile Collection
Documentation of Bhanu Athaiya's Heirloom Textile Collection

Documentation of Bhanu Athaiya's Heirloom Textile Collection

An intensive documentation and study of the personal textile collection of Bollywood's most iconic costume designer, Bhanu Rajopadhye Athaiya. 

Exploring Bhanu Athaiya's Personal Textile Collection

Like a brocade bridge that takes you back in time, the personal textile collection of India’s most renowned costume designer Bhanu Rajopadhye Athaiya leads you deeper into both her inherited legacy and the one she herself created.
Read More
Exploring Bhanu Athaiya's Personal Textile Collection
Exploring Bhanu Athaiya's Personal Textile Collection

Exploring Bhanu Athaiya's Personal Textile Collection

Like a brocade bridge that takes you back in time, the personal textile collection of India’s most renowned costume designer Bhanu Rajopadhye Athaiya leads you deeper into both her inherited legacy and the one she herself created.

Nationalism Book Auction - July 2021 - No Reserve

We present a rare collection of first editions (most are either the first editions or early printings), printed in India and from the difficult-to-source period of the 1920s to 1960s. Many of these books are un-documented and have never been offered by antiquarian book dealers. Being printed in India very few copies of most have survived, making pricing exceptionally challenging in the absence of comparables.
Read More
Nationalism Book Auction - July 2021 - No Reserve
Nationalism Book Auction - July 2021 - No Reserve

Nationalism Book Auction - July 2021 - No Reserve

We present a rare collection of first editions (most are either the first editions or early printings), printed in India and from the difficult-to-source period of the 1920s to 1960s. Many of these books are un-documented and have never been offered by antiquarian book dealers. Being printed in India very few copies of most have survived, making pricing exceptionally challenging in the absence of comparables.

Gobardhan Ash’s Avatars - Physical & NFT Auction

Background Avatar, also known as a profile picture or user picture in the computing world, refers to a graphical representation of a user or the user's character or persona or possibly physical traits. It may take either a two-dimensional form as an icon in Internet forums and other online communities or a three-dimensional form, as in games or virtual worlds. (Wikipedia)
Read More
Gobardhan Ash’s Avatars - Physical & NFT Auction
Gobardhan Ash’s Avatars - Physical & NFT Auction

Gobardhan Ash’s Avatars - Physical & NFT Auction

Background Avatar, also known as a profile picture or user picture in the computing world, refers to a graphical representation of a user or the user's character or persona or possibly physical traits. It may take either a two-dimensional form as an icon in Internet forums and other online communities or a three-dimensional form, as in games or virtual worlds. (Wikipedia)

Bhanu Athaiya Saree & NFT Sale: The Antique & The Contempor…

Bhanu Athaiya was India’s first Oscar winner with a career as a costume designer spanning six decades.
Read More
Bhanu Athaiya Saree & NFT Sale: The Antique & The Contemporary
Bhanu Athaiya Saree & NFT Sale: The Antique & The Contemporary

Bhanu Athaiya Saree & NFT Sale: The Antique & The Contempor…

Bhanu Athaiya was India’s first Oscar winner with a career as a costume designer spanning six decades.

An introduction to NFTs

NFT's or Non Fungible Token's are a new technology phenomenon allowing clear ownership and easy transferability of digital art which can be unique or in editions. 
Read More
An introduction to NFTs
An introduction to NFTs

An introduction to NFTs

NFT's or Non Fungible Token's are a new technology phenomenon allowing clear ownership and easy transferability of digital art which can be unique or in editions. 

An ode to Sankha Ghosh

The country just lost an eminent poet and a Rabindranath Tagore specialist. I had first heard of Sankha Ghosh from Raman Sivakumar at Santiniketan, who had suggested I take his help in annotating Rabindranath Tagore’s speeches from the Rathindranath Tagore estate. Annotating Rabindranath is not an easy task, there are many nuances. These speeches were written in interesting times – independence movement, internal politics in Santiniketan, impending wars, and leading up to the famous crisis of civilizations speech just before he passed away.
Read More
An ode to Sankha Ghosh
An ode to Sankha Ghosh

An ode to Sankha Ghosh

The country just lost an eminent poet and a Rabindranath Tagore specialist. I had first heard of Sankha Ghosh from Raman Sivakumar at Santiniketan, who had suggested I take his help in annotating Rabindranath Tagore’s speeches from the Rathindranath Tagore estate. Annotating Rabindranath is not an easy task, there are many nuances. These speeches were written in interesting times – independence movement, internal politics in Santiniketan, impending wars, and leading up to the famous crisis of civilizations speech just before he passed away.

Rabindranath Tagore's speeches: Santiniketan Mandir

...have hurt my ears severely. In entire India, it is only in Bengal, that Sanskrit pronunciation is such non-Aryan. Mutilation of Sanskrit in such a manner, I have not seen in any other state. Especially convolution of utter-able mantras is to be considered a blunder. Since it has hurt me, I had to say this.
Read More
Rabindranath Tagore's speeches: Santiniketan Mandir
Rabindranath Tagore's speeches: Santiniketan Mandir

Rabindranath Tagore's speeches: Santiniketan Mandir

...have hurt my ears severely. In entire India, it is only in Bengal, that Sanskrit pronunciation is such non-Aryan. Mutilation of Sanskrit in such a manner, I have not seen in any other state. Especially convolution of utter-able mantras is to be considered a blunder. Since it has hurt me, I had to say this.

Rabindranath Tagore's speeches: Mandir

After many days, today I am present in front of you in this shrine (mandir). I have come with a lot of hesitation. I am aware that due to prolonged absence our entire organization has become weak. For whatever reason it may be, your minds are no longer ready to accept all the functions, activities, and rites of the Ashrama. There is no point denying this. For this, not only are you to be held responsible but we are equally responsible.
Read More
Rabindranath Tagore's speeches: Mandir
Rabindranath Tagore's speeches: Mandir

Rabindranath Tagore's speeches: Mandir

After many days, today I am present in front of you in this shrine (mandir). I have come with a lot of hesitation. I am aware that due to prolonged absence our entire organization has become weak. For whatever reason it may be, your minds are no longer ready to accept all the functions, activities, and rites of the Ashrama. There is no point denying this. For this, not only are you to be held responsible but we are equally responsible.

Rabindranath Tagore's speeches: Havell Hall

Today, dedicated to whose memory we have gathered together, whose memory-hall is to be founded today; it is necessary to tell something about him. His identity for many today is not that bright.
Read More
Rabindranath Tagore's speeches: Havell Hall
Rabindranath Tagore's speeches: Havell Hall

Rabindranath Tagore's speeches: Havell Hall

Today, dedicated to whose memory we have gathered together, whose memory-hall is to be founded today; it is necessary to tell something about him. His identity for many today is not that bright.

SANKHA GHOSH: ‘The Silent Index Finger’

The passing away of noted Bengali poet, essayist, Tagorian scholar, at the age of 90 on April 21st signifies an end of an era in Bengali literature and creates an irreplaceable void in the cultural domain of Bengali intelligentsia. Otherwise, soft-spoken and sober, Sankha babu in his immaculate white-dhoti-Punjabi, in his quiet and calm way became the most vociferous voice of Bengali youth and civil society in his writings. Be it on anything in the cultural field or the world around us, he became the conscience of every sensitive, educated Bengali, who never hesitated to speak out his mind, loud and clear, irrespective of the political regimes in the state.
Read More
SANKHA GHOSH: ‘The Silent Index Finger’
SANKHA GHOSH: ‘The Silent Index Finger’

SANKHA GHOSH: ‘The Silent Index Finger’

The passing away of noted Bengali poet, essayist, Tagorian scholar, at the age of 90 on April 21st signifies an end of an era in Bengali literature and creates an irreplaceable void in the cultural domain of Bengali intelligentsia. Otherwise, soft-spoken and sober, Sankha babu in his immaculate white-dhoti-Punjabi, in his quiet and calm way became the most vociferous voice of Bengali youth and civil society in his writings. Be it on anything in the cultural field or the world around us, he became the conscience of every sensitive, educated Bengali, who never hesitated to speak out his mind, loud and clear, irrespective of the political regimes in the state.

M.F. Husain: The King of Hearts by Ashvin E. Rajagopalan

The only time I have seen M. F. Husain in person was at his exhibition in honour of singer M. S. Subbulakshmi at a gallery in Chennai (Madras) in 2004. Wearing no footwear, except for thick black socks, and wielding a massive paintbrush in one hand, Husain was surrounded by a group of Chennai’s socialites. I was patiently waiting behind them to meet Husain when he suddenly popped out and said, “Hello”. I was giddy with excitement and asked him to autograph the invitation card I had in my hand. He did so and quickly moved on to greet the next visitor. Husain was as excited to meet unknown gallery visitors as they were to meet him—the energy was amazing for a man who, at that time, was 91 years old. A year or so later, Husain left India, never to return. 
Read More
M.F. Husain: The King of Hearts by Ashvin E. Rajagopalan
M.F. Husain: The King of Hearts by Ashvin E. Rajagopalan

M.F. Husain: The King of Hearts by Ashvin E. Rajagopalan

The only time I have seen M. F. Husain in person was at his exhibition in honour of singer M. S. Subbulakshmi at a gallery in Chennai (Madras) in 2004. Wearing no footwear, except for thick black socks, and wielding a massive paintbrush in one hand, Husain was surrounded by a group of Chennai’s socialites. I was patiently waiting behind them to meet Husain when he suddenly popped out and said, “Hello”. I was giddy with excitement and asked him to autograph the invitation card I had in my hand. He did so and quickly moved on to greet the next visitor. Husain was as excited to meet unknown gallery visitors as they were to meet him—the energy was amazing for a man who, at that time, was 91 years old. A year or so later, Husain left India, never to return. 

Pupul Jayakar: the craft catalyst

Pupul Jayakar had an undying passion for preserving the country's culture and weaving tradition. She was a writer and an advocate of crafts in Indian society. The textile scholar aimed to restore India's cottage weaving industry. Her interest in rural arts and crafts, her eye for potential, and her unparalleled execution skills initiated a change in many areas of craft. Jayakar singlehandedly led the revival of arts and handicrafts in India. Hence, she established The Weavers' Service Centre formerly known as the Handloom Design Centre in the 1950s. 
Read More
Pupul Jayakar: the craft catalyst
Pupul Jayakar: the craft catalyst

Pupul Jayakar: the craft catalyst

Pupul Jayakar had an undying passion for preserving the country's culture and weaving tradition. She was a writer and an advocate of crafts in Indian society. The textile scholar aimed to restore India's cottage weaving industry. Her interest in rural arts and crafts, her eye for potential, and her unparalleled execution skills initiated a change in many areas of craft. Jayakar singlehandedly led the revival of arts and handicrafts in India. Hence, she established The Weavers' Service Centre formerly known as the Handloom Design Centre in the 1950s. 

Ganesh Pyne: The Mystical Artist

An intensely private artist whose artistic imagination was fuelled by the strange, dark fantasy of his grandmother’s stories and charred by the horrors of his reality, Ganesh Pyne's paintings are quiet revelations of his personality. Pyne's intricate ink works, haunting temperas, and jottings are rich in imagery and symbolism, bordering along the uncanny and drawing our attention to a world beyond the familiar. His art deeply rooted in dark, unsettling images, derived from mythology and dreams. 
Read More
Ganesh Pyne: The Mystical Artist
Ganesh Pyne: The Mystical Artist

Ganesh Pyne: The Mystical Artist

An intensely private artist whose artistic imagination was fuelled by the strange, dark fantasy of his grandmother’s stories and charred by the horrors of his reality, Ganesh Pyne's paintings are quiet revelations of his personality. Pyne's intricate ink works, haunting temperas, and jottings are rich in imagery and symbolism, bordering along the uncanny and drawing our attention to a world beyond the familiar. His art deeply rooted in dark, unsettling images, derived from mythology and dreams. 

Uncle Husain by Anjum Siddiqui

I had the good fortune of spending a larger part of my life in close association with M. F. Husain. Or Uncle H, as I called him. He was more than just a friend of the family. He was part of the family. We all lived, painted, and went on vacations together. There were always the choicest of paints and canvases in the house while growing up, for which I am always thankful to him. I got to paint alongside him right from when I was 6 years old. As a child, he must have seen a unique creative spark in me. Or so he said to me in a note, written inside a book he sent me just a month before he passed away. 
Read More
Uncle Husain by Anjum Siddiqui
Uncle Husain by Anjum Siddiqui

Uncle Husain by Anjum Siddiqui

I had the good fortune of spending a larger part of my life in close association with M. F. Husain. Or Uncle H, as I called him. He was more than just a friend of the family. He was part of the family. We all lived, painted, and went on vacations together. There were always the choicest of paints and canvases in the house while growing up, for which I am always thankful to him. I got to paint alongside him right from when I was 6 years old. As a child, he must have seen a unique creative spark in me. Or so he said to me in a note, written inside a book he sent me just a month before he passed away. 

On Bhupen Khakhar's encaustic painting - Ranjit Hoskote

At first sight, this encaustic painting – rendered in heated beeswax, into which pigments of various colours have been mixed – seems to be worlds away from what most viewers know of Bhupen Khakhar’s work. There are no limp-limbed yet curiously wide-awake men from a broad middle class; no domestic interiors laid out for erotic encounter; no playful or picaresque encounters among figures whose ordinariness is belied by some eccentric bodily feature or undecipherable gesture. No figures at all, in fact. 
Read More
On Bhupen Khakhar's encaustic painting - Ranjit Hoskote
On Bhupen Khakhar's encaustic painting - Ranjit Hoskote

On Bhupen Khakhar's encaustic painting - Ranjit Hoskote

At first sight, this encaustic painting – rendered in heated beeswax, into which pigments of various colours have been mixed – seems to be worlds away from what most viewers know of Bhupen Khakhar’s work. There are no limp-limbed yet curiously wide-awake men from a broad middle class; no domestic interiors laid out for erotic encounter; no playful or picaresque encounters among figures whose ordinariness is belied by some eccentric bodily feature or undecipherable gesture. No figures at all, in fact. 

Jewellery terms

If you are looking to start and sustain a jewellery collection, you must be aware of its frequently used terms to be able to make an informed choice. Here is a list of frequently used terminologies for every jewellery connoisseur out there. 
Read More
Jewellery terms
Jewellery terms

Jewellery terms

If you are looking to start and sustain a jewellery collection, you must be aware of its frequently used terms to be able to make an informed choice. Here is a list of frequently used terminologies for every jewellery connoisseur out there. 
Footer Separator