A silent, dedicated artist content amidst the walls of paintings stacked in his Begumpur mud house stirred a quiet revolution against the preconceived notions of artistic expression. No wonder Gobardhan Ash (b.1907) carved a niche for himself as an individualistic artist who fearlessly explored diverse artistic styles and techniques.
Read MoreThe art of portraiture seems much more enticing today when we live in a world where ‘portraits’ can be created at the click of a button with a single handheld device. There is something enigmatic about how artists in the past captured personalities with strokes of the brush and immortalized them in portraits. There is something romantic about the notion of portraits themselves, and how a sensitive artist could capture the physical characteristics as well as the psychological aspect of the subject of the portrait.
Read MoreAtul Bose (1898-1977) was virtually forgotten in the decades following independence when the Progressive Artists of Bombay dominated in the era of Nehruvian modernism. Recently, many of these earlier artists are undergoing significant reassessment.
Read MoreA pentimento (plural pentimenti) is an alteration in a painting which is evidenced by traces of previous work. The alteration shows that the artist changed their mind during the process of making the work.
Read MoreJamini Roy, who was inspired by folk traditions created an Alpana or a floral motif that was considered to be sacred painting in Bengal because it was done on special occasions. The
Jamini Roy’s inspiration
Jamini Roy's rejection of the western academic style of painting led to him being inspired by Bengali folk paintings. Before he made the complete switch to the pat style paintings, he was depicting village life and folk. This work shows a personal reconstruction of another Indian reality that was often not seen in urban areas.
Read MoreOne of the most iconic figures of modern Indian art of the mid-20th century, Jamini Roy’s reputation spilled over from the art world into a larger public and popular domain, and even as his name became synonymous in modern Indian art history with a reinvented "Bengali folk" style.
Read MoreJamini Roy's earlier residence at 1/2B Ananda Kumar Chatterjee lane in North Kolkata was his home for sixteen years.
Read MoreIn the midst of the triumph of Orientalists lead by E.B. Havell, the principal of the Government Art School in Calcutta, and Abanindranath Tagore, naturalism re-emerged in the 1920s in Calcutta partly due to Percy Brown's encouragement and because of the rise of the artists such as Hemendranath Majumdar.
Read MoreIn
It is well documented that Jamini Roy was an academic portrait painter in the early days using oil paints. His experiments in the style of "Bengal school" and Academic portraiture is amply recorded.
Read MoreJamini Roy's studio from the
Recording the possible disappearance of two works by Jamini Roy & Abanindranath Tagore.
Read More
A silent, dedicated artist content amidst the walls of paintings stacked in his Begumpur mud house stirred a quiet revolution against the preconceived notions of artistic expression. No wonder Gobardhan Ash (b.1907) carved a niche for himself as an individualistic artist who fearlessly explored diverse artistic styles and techniques.
Read More
The art of portraiture seems much more enticing today when we live in a world where ‘portraits’ can be created at the click of a button with a single handheld device. There is something enigmatic about how artists in the past captured personalities with strokes of the brush and immortalized them in portraits. There is something romantic about the notion of portraits themselves, and how a sensitive artist could capture the physical characteristics as well as the psychological aspect of the subject of the portrait.
Read More
Atul Bose (1898-1977) was virtually forgotten in the decades following independence when the Progressive Artists of Bombay dominated in the era of Nehruvian modernism. Recently, many of these earlier artists are undergoing significant reassessment.
Read More
A pentimento (plural pentimenti) is an alteration in a painting which is evidenced by traces of previous work. The alteration shows that the artist changed their mind during the process of making the work.
Read More
Jamini Roy, who was inspired by folk traditions created an Alpana or a floral motif that was considered to be sacred painting in Bengal because it was done on special occasions. The
Jamini Roy’s inspiration
Jamini Roy's rejection of the western academic style of painting led to him being inspired by Bengali folk paintings. Before he made the complete switch to the pat style paintings, he was depicting village life and folk. This work shows a personal reconstruction of another Indian reality that was often not seen in urban areas.
Read More
One of the most iconic figures of modern Indian art of the mid-20th century, Jamini Roy’s reputation spilled over from the art world into a larger public and popular domain, and even as his name became synonymous in modern Indian art history with a reinvented "Bengali folk" style.
Read More
Jamini Roy's earlier residence at 1/2B Ananda Kumar Chatterjee lane in North Kolkata was his home for sixteen years.
Read More
In the midst of the triumph of Orientalists lead by E.B. Havell, the principal of the Government Art School in Calcutta, and Abanindranath Tagore, naturalism re-emerged in the 1920s in Calcutta partly due to Percy Brown's encouragement and because of the rise of the artists such as Hemendranath Majumdar.
Read More
In
It is well documented that Jamini Roy was an academic portrait painter in the early days using oil paints. His experiments in the style of "Bengal school" and Academic portraiture is amply recorded.
Read More
Jamini Roy's studio from the
Recording the possible disappearance of two works by Jamini Roy & Abanindranath Tagore.
Read More