Modernism to Crypto - Sneak Peak at our February 2025 Exhibition
This would be an important never-before-seen exhibition exploring six decades of Modernism in Indian art and avant-garde art on the blockchain.
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Results for "progressive artists group"
Letter from Shubho Tagore to Rathin Maitra - The beginnings of the Calcutta Group
The first of the transcripts documenting the formation of the 'Calcutta Group' , a letter dated March 1942 written by Subho Tagore in Calcutta to Rathin Maitra in Pabna foreseeing a vision in creating something to illuminate the nation's art!
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Ram Kumar: The Visual Metaphorist
Ram Kumar’s existence in the art world was much like a peaceful mountain, exuding a sense of serenity and enduring presence. The reticent artist wielded both the pen and brush but ultimately embraced the latter as his mightier sword of choice. Born in 1924 in Shimla, Kumar’s meditative surroundings deeply affected his sensibilities as an artist. He imbibed a sense of calm from the silent mountains and the clear blue skies that found expression in his paintings. His affinity with nature, the serene flow of slow-seeping rivers, the allure of solitary spaces, and the haunting charm of abandoned structures would all combine to establish him as the foremost significant abstract painter in the Modern Indian art world.
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Rathin Maitra: A Founder Modernist
Rathin Maitra and Subho Tagore established the Calcutta Group, along with other founder members, which gained widespread recognition in India for its influential contribution to modern Indian painting much before the Progressives.
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A historical rediscovery: the second PAG Catalogue, 1950
Stated below is the text of the second catalogue of the Bombay Progressive Artists' Group in collaboration with the Calcutta Group. Gobardhan Ash's works were exhibited in the joint show of the Calcutta Group and Progressive Artists’ Group alongside masters such as K.H. Ara, Francis Newton Souza, Maqbool Fida Husain, S.H. Raza, H.A. Gade, and S.K. Bakre at Calcutta in 1950. This document is indeed a historically prominent yet lesser-known artistic discovery in the world of modern Indian art.
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"From Before There Was Fashion"
Bhanu's Stunning Designs For The First Calico Fashion Show Of 1958 Fashion is a vibrant and ever-evolving art form that reflects the spirit of an era. In the annals of Indian fashion history, one event stands out as a pivotal moment in time – the first Calico fashion show of 1958. In 1958, Bhanu Athaiya was invited by Ebrahim Alkazi to design the first traveling promotional fashion show in independent India for Calico Mills. This event took place at the "India '58" Trade Fair in New Delhi, making it a pivotal moment in Indian fashion history.
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A page from Gobardhan Ash's diary
I sit staring into the blank canvas. My mind is unfettered, reaching out to embrace the world. All these shapes and scenes flit lucidly through my head, some familiar, others, I know not. Speaking of Modern Art, I must emphasise the fact that the art being created these days, cannot simply be labeled as Indian Art.
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Inside Keren SouzaKohn's home studio: Exploring her life and art
As we once again visited Keren SouzaKohn's lively home studio nestled amidst the lush green paddies and red roads of Saligao, our gaze fell on her colourful artworks reflecting life in Goa. Splashes of green, blue and intimate depictions of unhurried life in the coastal paradise uncovered vibrant portrayals of quiet village moments, the local folk and bustling markets. This immediately made us wonder about her artistic journey so far, and hence we embarked on yet another interview focusing on the life and art of Keren SouzaKohn.
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Souza and Catholicism: A Lifelong Reflection in Art
Francis Newton Souza’s early years in Goa were immersed in Catholic tradition, shaped by his grandmother, Leopoldina Saldanha. After contracting smallpox in Bombay, he was sent back to Saligao in 1929, where his childhood was steeped in religious rituals. His grandmother, deeply devout, led the family in nightly Rosary prayers and Sunday Mass, filling his imagination with stories of saints, martyrdom, and biblical events.
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Art and Design in the Life of Bhanu Athaiya: Realizing a Dream By Gayatri Sinha
As a girl born into the priestly class of pandits from the royal house of Kolhapur in 1929, Bhanumati Rajopadhye may have appeared as an unlikely instigator of dramatic change in the sphere of mass aesthetics. But it is no exaggeration to say that she led the nation’s gaze in the appreciation of feminine beauty, mined the country’s craft and couture traditions, and created waves in the worlds of fashion and consumer desire. One of the questions around Bhanu Athaiya’s vast oeuvre is how do we address her art in the context of her work in cinema and vice-versa.
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