A chronicle thinker, Prabhakar Barwe is best known for his thought experiments with object-form-content interrelationships. Born in the family of sculptors, Barwe’s father, Shivram, worked in various film studios, making sculptural molds for commercial use and, significantly, his grand-uncle, Vinayak Pandurang Karmarkar, who was well known for strictly following the academic genre of realism. Barwe’s spent his initial years in the Konkan village, where he was born, and his later years in Bombay (now Mumbai) surrounded by the natural and creative atmosphere.
The late Arun Kumar Das who was also our consignor reminisces about his rendezvous with dear friend and artist Prabhakar Barwe. He fondly recalls his first meeting with the artist during the '70s and their prolonged conversations about life and paintings. Read on to know more.
Pupul Jayakar had an undying passion for preserving the country's culture and weaving tradition. She was a writer and an advocate of crafts in Indian society. The textile scholar aimed to restore India's cottage weaving industry. Her interest in rural arts and crafts, her eye for potential, and her unparalleled execution skills initiated a change in many areas of craft. Jayakar singlehandedly led the revival of arts and handicrafts in India. Hence, she established The Weavers' Service Centre formerly known as the Handloom Design Centre in the 1950s.
Years ago, artists from various walks of life gravitated towards a creative anomaly near Mumbai's Opera House. The Weavers' Service Centre was established in the 1950s by Pupul Jayakar. Masters such as Prabhakar Barwe, Anand Mohan Naik, Gautam Waghela, Ramesh Vaghela, and Gopal Adivrekar designed textiles at the center for years to support themselves while exploring their identities as artists.
Prabhakar Barwe studied art at Sir J. J. School of Art, Bombay. His fascination with the abstract form, drawn from the style and the concepts of Bauhaus, is reflected in his early watercolors and later works with floating motifs on a transparent surface.