Chittaprosad


The Art and Activism of Chittaprosad

Chittaprosad’s body of work was a visceral response to the pain and turmoil around him in mid-20th century India. His oeuvre echoes Nina Simone’s rhetorical question: How can you be an artist and not reflect the times? His works seethe with rage, yet weep with compassion for the suffering. Chittaprosad Bhattacharya holds up a mirror to society and we peer into it, not able to look away. We are inflamed, enchanted, disconcerted and angered all at once. 

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The Art and Activism of Chittaprosad

Eclectic Visions: Celebrating Modern Indian Art

Eclectic Visions unfolded in the bustling heart of Delhi, showcasing the rich tapestry of artistic expression. From poignant socio-political commentary to vibrant explorations of heritage and the fusion of jazz and art, our exhibit was a celebration of diverse voices and perspectives. The exhibit brought together four distinct voices, each weaving their narratives into the fabric of creativity. 

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Eclectic Visions: Celebrating Modern Indian Art

Focusing on Modernism in Indian Art in the early 20th century

At Prinseps, we are working to change the discourse to redefine the critical period for modernism in India as the first half of the 20th century. Though academia reiterates the same, the art trade seems to have strayed with a focus on the later part of the 20th century. The early 20th century witnessed the uprising of major art movements questioning the status quo.

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Focusing on Modernism in Indian Art in the early 20th century

Somnath Hore: the artivist

Somnath Hore was not one to paint the blue of the skies, the glitter of the sands, or the green of the whispering trees, but the helplessness of the trembling hand attached to an emaciated body collapsed on the floor. In Somnath’s vision, it is the spectacle of man’s suffering that steals the show.

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Somnath Hore: the artivist

Bhupen Khakhar: the gentle radical painter

An observer and painter of life, a chartered accountant occasionally picked up his paintbrush to reflect the uncanny, the fantastical, the mixed droll, and dramatic impulses quintessential to everyday life. Bhupen Khakhar (b.1934) unabashedly revealed the melancholia, mundanities, and inner monologues of the marginal man. Khakhar was born in Bombay, but the quaint town of Baroda nurtured the artist in him. An office accountant in the city of dreams, money was not the only thing Bhupen wished to draw.

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Bhupen Khakhar: the gentle radical painter

Gobardhan Ash: the quiet master artist

A silent, dedicated artist content amidst the walls of paintings stacked in his Begampur mud house stirred a quiet revolution against the preconceived notions of artistic expression. No wonder Gobardhan Ash (b.1907) carved a niche for himself as an individualistic artist who fearlessly explored diverse artistic styles and techniques.

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Gobardhan Ash: the quiet master artist

Chittaprosad : Linocut Prints

Born in 1915 in Bengal, Chittaprosad was a self taught artist and illustrator. He was educated in Chittagong, Bengal. He had no formal training as he refused to join the Government College of Art, Calcutta. He was also a member of the Communist party in India at the time and rejected the caste system.

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Chittaprosad : Linocut Prints

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