A ray of light enters Lajmi’s room and falls on a half-painted canvas. The artist’s room is dipped in evening hues as twilight knocks on the door. Brushes stacked in paint holders stand in awe-filled unison like silent spectators as unsuspecting Lajmi continues to paint into the night. Seated on a wooden chair propped up on two cushions, Lajmi’s creative spirit knows no rest. Lalitha Lajmi’s nocturnal artmaking which was first born out of necessity is now a habit she has woven into her creative process.
Somnath Hore was not one to paint the blue of the skies, the glitter of the sands, or the green of the whispering trees, but the helplessness of the trembling hand attached to an emaciated body collapsed on the floor. In Somnath’s vision, it is the spectacle of man’s suffering that steals the show.
An intensely private artist whose artistic imagination was fuelled by the strange, dark fantasy of his grandmother’s stories and charred by the horrors of his reality, Ganesh Pyne's paintings are quiet revelations of his personality. Pyne's intricate ink works, haunting temperas, and jottings are rich in imagery and symbolism, bordering along the uncanny and drawing our attention to a world beyond the familiar. His art deeply rooted in dark, unsettling images, derived from mythology and dreams.
While the good old days of sauntering amidst quaint antique stores and art galleries might be on hold for now, the thrill of the hunt has now shifted online. And if done right, antique shopping can be rewarding – by uncovering an elaborate piece of history or acquiring artworks that speak to you. If the antique collector in you is tugging at your sleeve to bring home vintage furniture and rare collectibles, follow our lead.
In the world of antiquing, provenance refers to the history of an acquired object. The provenance of a piece traces its origin back to its owner(s) or where it comes from. A certain artifact could belong to a previous era, like a glorious chandelier that once illuminated the ballroom of a magnificent palace. Or a scatter of old maps, manuscripts, and sheets quietly tucked away in between the pages of old books at a library.
Antiques from the past quietly turn back the clock to bygone days. Nostalgia wafts in the air as the musty scent of age-old rarities fills your senses. And soon, you realize that antiquing is less about a point in time and more about timelessness. Be it a wise old Satinwood chest of drawers or an elaborate Rosewood cabinet that stood the test of time, these old keepsakes possess an eternal charm.
Born 1775, James Moffat was a British engraver in India. He arrived in Calcutta in 1789 and trained as an engraver there. He was one of the many 18th century soldiers and travelers from Britain that began sketching detailed landscapes of the country.
Henry Singleton first rose to prominence as a contemporary history painter in a family that was known best for their miniature artworks. Born into an artistic family, Henry Singleton was raised by uncle William Singleton who painted portraits and miniatures. Although he dabbled in miniatures as well, his well-known works were portraits and historic paintings.
Born in 1921 in Chittagong, undivided India, Somnath Hore studied at the Government Art College in Calcutta. His works represent the turbulent lives at the time of the Bengal Famine of 1943. His pictorial language in his sketches, sculptures, and prints is a reaction to one of the major crises that hit Bengal in the 20th century.
Born in 1921 in Chittagong, undivided India, Somnath Hore studied at the Government Art College in Calcutta. His works represent the turbulent lives at the time of the Bengal Famine of 1943. His pictorial language in his sketches, sculptures, and prints is a reaction to one of the major crises’ that hit Bengal in the 20th century.
Somnath Hore’s art practice was western and academic in style. He was interested in humanist themes, and his works often involved the world of painting and printmaking with sculptural, textural prints that resonated with his feelings of anger and pain. His subject matter drew attention to the life of people in Bengal; the impoverished and suffering social class represented the pain caused by the Famine of 1943.