Each time young Homi Wadia entered the set with his producer-director brother J.B.H. Wadia, his eyes would light up like a kid in a candy shop. His gaze was not stuck on fantastical costumes or the star-studded cast but set on the camera. This demonstrated his childhood aptitude for mechanical processes and all things technical. It was not long before he decided to dispense his studies and join his brother in the art of film making.
A young boy's obsession with film was the cause of his secret trips to Bombay's cinematheques. Perhaps it was J.B.H. Wadia's heart thudding in anticipation that often broke the silence enveloping the dark movie theatre right before the big screen would light up. Mr. Wadia was a dedicated student of film since his high school days, growing up in an ever-present environment of cinema. Bombay's historically prominent locations dotted with stand-alone theatres were photographic landmarks etched in J.B.H's memories. These glorious theatres were not just recreational spots for the cinephile but institutions that shaped his cinematic oeuvre.
In the mid-1700s, the Master Shipbuilder Lowji Nusserwanji Wadia built a grand bungalow in tony Parel, which came to be known as Lowji Castle – with an imposing entrance hall and a wide oak- wood balustrade leading from it to the living area! Lighting up the entrance lobby were several colourful stained-glass panels with the family crest and motto – “Honor and Magnanimity” along with the sailing ship at the centre of the design! Several generations of the Wadia family lived in this palatial abode right up to the late 1800s. It is recounted by J.B.H. Wadia's family members that the elite of Bombay society wined and dined at the ‘castle’ including senior members of the British establishment.