Prinseps

LUXURY. ART. DESIGN.


A historical rediscovery: the se...

Stated below is the text of the second catalog of the Bombay Progressive Artists' Group in collaboration with the Calcutta Group. Gobardhan Ash's works were exhibited in the joint show of the Calcutta Group and Progressive Artists’ Group alongside masters such as K.H. AraFrancis Newton SouzaMaqbool Fida HusainS.H. RazaH.A. Gade, and S.K. Bakre at Calcutta in 1950. This document is indeed a historically prominent yet lesser-known artistic discovery in the world of modern Indian art. 

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Gobardhan Ash: the quiet master ...

A silent, dedicated artist content amidst the walls of paintings stacked in his Begumpur mud house stirred a quiet revolution against the preconceived notions of artistic expression. No wonder Gobardhan Ash (b.1907) carved a niche for himself as an individualistic artist who fearlessly explored diverse artistic styles and techniques.

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An introduction to the Weavers' ...

Years ago, artists from various walks of life gravitated towards a creative anomaly near Mumbai's Opera House. The Weavers' Service Centre was established in the 1950s by Pupul Jayakar. Masters such as Prabhakar Barwe, Anand Mohan Naik, Gautam Waghela, Ramesh Vaghela, and Gopal Adivrekar designed textiles at the center for years to support themselves while exploring their identities as artists. 

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Pages from Bhanu's handwritten n...

"My father, a multifaceted man, was far ahead of the times. His thirst for knowledge led him to explore avenues of learning beyond scholastic and academic boundaries. He would travel to Mumbai frequently to collect books on various subjects ranging from painting to photography and embroidery to film making. These books were imported from Britain by Englishmen who had big stores in Mumbai.

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The legacy of Annasaheb Rajopadhye

The city of Kolhapur in southern Maharashtra is often called Kalapur, a city of the arts: a tag that originated in the early twentieth century. This was a result of a social and cultural transformation initiated by Chhatrapati Shahu Maharaj (1874-1922).

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Manu Parekh - An Important Portrait

Manu Parekh was born in 1939 in Gujarat. Parekh completed a Diploma in Drawing and Painting from the Sir J.J. School of Art, Mumbai, in 1962. Parekh’s early work explored the relationships between man and nature, as he thought that it was an energetic link that had to be celebrated.

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Krishen Khanna: Bandwala with Dog

On the canvas, Krishen Khanna's main concern has been with the human condition and its moral predicament. His approach to this came from a search for allegories that lent themselves to pictorial interpretation and irony. One of his most popular themes is the ‘bandwallahs’ whom Khanna encountered when he was driving out of the Garhi studios in New Delhi.

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Jamini Roy's Early Village Women

Jamini Roy's rejection of the western academic style of painting led to him being inspired by  Bengali folk paintings. Before he made the complete switch to the pat style paintings, he was depicting village life and folk. This work shows a personal reconstruction of another Indian reality that was often not seen in urban areas.

Read More

A historical rediscovery: the se...

Stated below is the text of the second catalog of the Bombay Progressive Artists' Group in collaboration with the Calcutta Group. Gobardhan Ash's works were exhibited in the joint show of the Calcutta Group and Progressive Artists’ Group alongside masters such as K.H. AraFrancis Newton SouzaMaqbool Fida HusainS.H. RazaH.A. Gade, and S.K. Bakre at Calcutta in 1950. This document is indeed a historically prominent yet lesser-known artistic discovery in the world of modern Indian art. 

Read More

Gobardhan Ash: the quiet master ...

A silent, dedicated artist content amidst the walls of paintings stacked in his Begumpur mud house stirred a quiet revolution against the preconceived notions of artistic expression. No wonder Gobardhan Ash (b.1907) carved a niche for himself as an individualistic artist who fearlessly explored diverse artistic styles and techniques.

Read More

An introduction to the Weavers' ...

Years ago, artists from various walks of life gravitated towards a creative anomaly near Mumbai's Opera House. The Weavers' Service Centre was established in the 1950s by Pupul Jayakar. Masters such as Prabhakar Barwe, Anand Mohan Naik, Gautam Waghela, Ramesh Vaghela, and Gopal Adivrekar designed textiles at the center for years to support themselves while exploring their identities as artists. 

Read More

Pages from Bhanu's handwritten n...

"My father, a multifaceted man, was far ahead of the times. His thirst for knowledge led him to explore avenues of learning beyond scholastic and academic boundaries. He would travel to Mumbai frequently to collect books on various subjects ranging from painting to photography and embroidery to film making. These books were imported from Britain by Englishmen who had big stores in Mumbai.

Read More

The legacy of Annasaheb Rajopadhye

The city of Kolhapur in southern Maharashtra is often called Kalapur, a city of the arts: a tag that originated in the early twentieth century. This was a result of a social and cultural transformation initiated by Chhatrapati Shahu Maharaj (1874-1922).

Read More

Manu Parekh - An Important Portrait

Manu Parekh was born in 1939 in Gujarat. Parekh completed a Diploma in Drawing and Painting from the Sir J.J. School of Art, Mumbai, in 1962. Parekh’s early work explored the relationships between man and nature, as he thought that it was an energetic link that had to be celebrated.

Read More

Krishen Khanna: Bandwala with Dog

On the canvas, Krishen Khanna's main concern has been with the human condition and its moral predicament. His approach to this came from a search for allegories that lent themselves to pictorial interpretation and irony. One of his most popular themes is the ‘bandwallahs’ whom Khanna encountered when he was driving out of the Garhi studios in New Delhi.

Read More

Jamini Roy's Early Village Women

Jamini Roy's rejection of the western academic style of painting led to him being inspired by  Bengali folk paintings. Before he made the complete switch to the pat style paintings, he was depicting village life and folk. This work shows a personal reconstruction of another Indian reality that was often not seen in urban areas.

Read More