Fine Art and its Aspect by Gobardhan Ash

The illustration and painting of the globe of ideal- the form of beauty appeared on the playground of five elements in tone a rhythmic posture by the display of harmonious posture. The awakened inner soul of mankind unifies the different sentiments by the marvelous tonal sublimation, the fine arts born in a rhythmic aptitude.

It is realised in the research work of the fine arts that we are born artists.

The first discourse today - we are not becoming or would be artists gradually, but complete artists from the very birth. And it must be explained, why should we then struggle for a long period being the born artist? The reason we have to prove the complete one - within, - the self realisation in the practical field with our cultural feelings and action.

We should select a helpful way to prove the reality but need not rest on the complication of make-up. Things and nature must obey us as a servant when we discover and depict the mystery of nature masterly. If we cannot realise the fundamental nature of the object within the core of the heart, it can become deadly in expression.

The homogeneous form of beauty inside is reflected in the out-look form of nature in relation. The modern approach in the art world is to realise the truth materially and immaterially. And the offerings of devotion towards the ideal appeared in expression by the display of colours and contour and the light and shadow through the rhythmic aptitude represent tranquil, serene, beautiful form of nature to penetrate the depth.

The love of beauty for beauty's sake awakens from sacrificing spirit beyond superstition and slavery, the sentiment of fine art is the fountain of eternal joy.

The real expression of fine art is not confined to any particular cast and creed, is quite free from monotony, but glorified in perspective nature. And the perspective is the depth of life to realise the self - within the external conscientious nature, which heads to the goul.

The enlightened way is love and devotion towards ideal, - the living truth to prove the same universal - one in all. And the sweet essence can be smelled in the art of painting by the devotee artist, the true lover of ideal in meditation.

The fundamental basis of self realisation grows from self-confidence, - the store of tremendous will force and energy in the way of advancement of fine art and the evidence of the born artist.

The expression of a compositional form of painting must have the sense of harmonious beauty, - the rhythm of life. The display of colours in a tonal sublimity, transparency, and solidity reflects the artistic temperament.

The artist is not a mere clerk and his function is to express his own idea with the help of the objects and must be careful not to imitate the object.

The self-conscious artist controls the nature of out-look form in his impressionist paintings as a complete one, - the impressionist school. It is impossible to preserve the harmony in colour without the realisation of tonal value, - the application of tone after tone in the same light, which helps to recognise the nature of colours. The colour is life and where there is no colour, death prevails.

As for colours; yellow, blue and red are the original and primary colours. The yellow is body, the blue is nerve current and the red is blood circulation. The yellow is earth, the blue is sky and red is the creation.

Blue reflected on the yellow earth from the sky becomes green, - the sign of youth and red is action, - the life force.

The children recognise only red in all at the first vision in their retina, and by the gradual promotion with the sense of difference, become curious and restless at the sight of the colourful world.

The education and culture in fine art bring the fine sense of reality which is free from the restlessness of childhood, - the independent character of the artist to add and subtract the nature in objective composition.

Every one has a visual instinct as an inherent quality but it differs from man to man with the standards of choosing the perspective view. The philosophic vision can realise the total sum, - the united-one at a first glance in nature in repose with a sacrificing spirit.

Without the realisation of the total sum in different forms and details, the first principle of fine-art painting can have no scope to discover the mystery of nature, which is harmonised with the times, - past, present and future.

The artist must not be influenced by cast and creed except the real spirit of self realisation, - the vanity of artistic life will preserve the eternal beauty of peace - and there lies the success of fine art.

Gobardhan Ash

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