Within the sphere of art historical exploration, the oeuvre of Surendranath Ganguly emerges as a subject of intriguing contemplation. A notable practitioner born in 1885, Ganguly's artistic journey found its genesis at the Government School of Art Calcutta, under the guidance of luminaries such as EB Havell and the visionary Abanindranath Tagore. Aligned with the artistic philosophy of Tagore, Ganguly, alongside Nandalal Bose, played an instrumental role in the revival of Indian artistic traditions that had been relegated to obscurity.
Ram Kumar’s existence in the art world was much like a peaceful mountain, exuding a sense of serenity and enduring presence. The reticent artist wielded both the pen and brush but ultimately embraced the latter as his mightier sword of choice. Born in 1924 in Shimla, Kumar’s meditative surroundings deeply affected his sensibilities as an artist. He imbibed a sense of calm from the silent mountains and the clear blue skies that found expression in his paintings. His affinity with nature, the serene flow of slow-seeping rivers, the allure of solitary spaces, and the haunting charm of abandoned structures would all combine to establish him as the foremost significant abstract painter in the Modern Indian art world.
The primary objective of this project was to create modernist generative portraits. We believe that NFT's purpose is to showcase serious modernist works. Inspired by a project dating back to 1948, we embarked on this venture with great enthusiasm and are thrilled with the outcomes.
Modernism is crucial and important for collectible-grade art, and this principle extends to art in the digital format. This is what shapes our approach and sets us apart. Notably, this endeavor is poised to be India's first serious modern art profile-picture project.
Prinseps was thrilled to host the grand unveiling of our highly anticipated NFT project, "1948". This extraordinary project takes inspiration from Gobardhan Ash's Avatar Series, a collection of masterpieces crafted between 1948 and 1951. This remarkable collection of NFTs captures the essence of artworks created over seven decades ago, showcasing a distinctive and timeless quality. We are grateful for the overwhelming response sparking a riveting discourse about NFTs in the art world.
I sit staring into the blank canvas. My mind is unfettered, reaching out to embrace the world. All these shapes and scenes flit lucidly through my head, some familiar, others, I know not. Speaking of Modern Art, I must emphasise the fact that the art being created these days, cannot simply be labeled as Indian Art.
The Principal of the Government Art School, Mr. Percy Brown was scheduled to retire In 1928. Jamini Prakash Ganguly, the Vice-Principal was still two years away from retirement, and in fact, owed two years’ worth of leave. Mukul Dey, the artist was rumoured to be next in line for the office of Principal of the Art School. Sri T. A. Achary held the office of Head Master, while Nandalal Roy Chowdhury was Head Clerk and Superintendent of the Students’ Hostel on Corporation Street, where he was a resident too. Perhaps, one may as well have approached these very individuals to inquire as to the situation that had been brewing.
Sunayani Devi was born in Calcutta, to the Tagore family of ingenious writers and painters. She grew up amidst the cultural ferment that was the Bengal Renaissance. She was brought up in the traditional and secluded women's quarters. She recalls her fascination with the devotional pictures in her aunt's room as a child. At that time, " it was unknown and unheard of for women to do anything."
In these personal notes by Bhanu Athaiya, she fondly recalls her mother Shantabai with deep gratitude, love, and pride. She deems her mother the enabler of her success, dreams, and aspirations. Read on to know more.
An unabating artist whose creative expression was unfazed by the trials and tribulations he faced, A.A. Raiba (b. 1922) was relentless; almost restless in his artistic pursuits till the very end saying, “Itni Umar Gayi, Kam khatam nahi Hua".  His visual narrative was derived from his love for Urdu poetry and Islamic Literature. Born in Mumbai, most of Raiba’s works exude nostalgia and are intimate observations of old Bombay and his travels all over the country. Raiba’s oeuvre is rooted in intensively researched history with influences from his lifelong practice in Calligraphy.
A ray of light enters Lajmi’s room and falls on a half-painted canvas. The artist’s room is dipped in evening hues as twilight knocks on the door. Brushes stacked in paint holders stand in awe-filled unison like silent spectators as unsuspecting Lajmi continues to paint into the night. Seated on a wooden chair propped up on two cushions, Lajmi’s creative spirit knows no rest. Lalitha Lajmi’s nocturnal artmaking which was first born out of necessity is now a habit she has woven into her creative process.
Lalitha Lajmi an Indian painter recalls her childhood days and memories with late filmmaker and brother Guru Dutt in these handwritten notes. These notes give us an insight into the influences that led her to nurture her passion for art and cinema. Read on to know more.