Bhanu Athaiya: Early days in Kolhapur

Bhanu Rajopadhye Athaiya (b. 1929) was born in her 300-year-old sprawling ancestral house in the heart of Kolhapur. Bhanu grew up surrounded by indigenous and western political, social and cultural influences. Her ability to translate all this information into the medium of cinema and art made her the first Indian ever to win an Oscar. Bhanu Athaiya is not only recognised as the revered doyenne of Indian costume designers; but also a remarkable modernist artist.

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Bhanu Athaiya: Early days in Kolhapur

Somnath Hore's unique composition

This particular work, titled WOUNDS-104, being a very explicit depiction of Hore’s 'Wounds' gives one an insight into the artistic process.The work’s base layer is an etching dated in Bengali as 1972. There is a faint signature to the left that reads SO(mnath), followed by an eight in Bengali. Hence this piece seems to have been worked on by the artist for over a decade- the 70s and 80s, suggesting that masterpieces are indeed not made overnight.

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Somnath Hore's unique composition

Somnath Hore: the artivist

Somnath Hore was not one to paint the blue of the skies, the glitter of the sands, or the green of the whispering trees. Instead, he captured the helpless tremble of a hand, the frail body struck by hunger, lying on the ground. In Somnath’s vision, it was the stark reality of human suffering that demanded attention. 

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Somnath Hore: the artivist

Ganesh Pyne: The Mystical Artist

An intensely private artist whose artistic imagination was fuelled by the strange, dark fantasy of his grandmother’s stories and charred by the horrors of his reality, Ganesh Pyne's paintings are quiet revelations of his personality. Pyne's intricate ink works, haunting temperas, and jottings are rich in imagery and symbolism, bordering along the uncanny and drawing our attention to a world beyond the familiar. His art deeply rooted in dark, unsettling images, derived from mythology and dreams. 

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Ganesh Pyne: The Mystical Artist

Gobardhan Ash: the quiet master artist

A silent, dedicated artist content amidst the walls of paintings stacked in his Begampur mud house stirred a quiet revolution against the preconceived notions of artistic expression. No wonder Gobardhan Ash (b.1907) carved a niche for himself as an individualistic artist who fearlessly explored diverse artistic styles and techniques.

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Gobardhan Ash: the quiet master artist

Four Indian Modernist Sculptures

At Prinseps' Modern and Contemporary Art Sale on November 17th, we find immense joy in presenting, from the late modern era, four exquisite works by four master craftsmen: Akbar Padamsee, Dhanraj Bhagat, Sankho Chaudhuri, and Amarnath Sehgal. 

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Four Indian Modernist Sculptures

Somnath Hore: Form & Figuration

Somnath Hore was born in 1921 in Chittagong studied at the Government College of Art in Calcutta. He witnessed the chain of devastation left by the Japanese bombing raid on Chittagong which was followed by a man made famine in 1943. Such suffering deeply impacted Hore and led him to outpour in sketches and poster drawing, which documented the devastation.

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Somnath Hore: Form & Figuration

Jamini Roy's : Sculpture Sketch

Jamini Roy’s inspiration for folk art led him to experiment with sculpture along with paintings and sketches even though he had no formal sculpture training. This artwork depicts a preparatory sketch of three sculptures similar to crude dolls from folk art.

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Jamini Roy's : Sculpture Sketch

Sculptures : It’s All Greek to Me!

Alexander the Great can be said to be responsible for the Greek influence in Ancient India. He started to conquer kingdoms in the east and made it all the way to modern Pakistan and the Indian state of Gujarat. He turned back once he was defeated by King Porus in 326 BCE.

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Sculptures : It’s All Greek to Me!

Prodosh Dasgupta (1912-1991)

Prodosh Dasgupta was a crucial figure of that mid-20th century generation of artists in Bengal who were giving shape to a new vocabulary of modernism in Indian art. His role was particularly important in defining a distinct place for modernism in Indian sculpture, in advocating the concept of form as an independent identity in sculpture, and in pioneering a style of semi-abstract three-dimensional figuration.

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Prodosh Dasgupta (1912-1991)

Understanding Indian Sculpture

Sculptures are increasingly becoming popular investment grade collectables. In some modern South Asian art auctions at the end of 2018 Sadanand Bakre, Prodosh Dasgupta and Adi Davierwala sculptures were sold for record-breaking prices. To appreciate modern sculpture it is important to understand the origins of classical Indian sculpture.  

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Understanding Indian Sculpture

Can Art be an Alternative Asset?

There is little doubt that Art (primarily consisting of paintings and sculptures) is an investment asset. It has been further argued that Art is also an alternative asset, implying that returns (from Art) have a low correlation with the stock markets and, if included in one's investment portfolio, improves the risk-reward profile (increase the Sharpe ratio).

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Can Art be an Alternative Asset?



Misreading Dhanraj Bhagat's Durga

Dhanraj Bhagat, a master sculptor and Padma Shri recipient, was active in Delhi during the mid-1940s to the 1960s. Two of his sculptures (Reunion-1947 and Three Women-1953) are listed as belonging to the collection of Pandit Jawaharlal Nehru. 

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Misreading Dhanraj Bhagat's Durga

Any questions?