Magazine: Buying Guides, Research, and Videos

Ganesh Haloi's Transitive Abstraction

Ganesh Haloi, born in 1936 in Jamalpur (now in Bangladesh) moved to Calcutta after the partition. As a result, he had seen the country struggle for its freedom and its own identity. Haloi’s works are known for their composition of space, color, form, and narration.

B Prabha 1973 Landscape - Trees

Before moving to Bombay, B Prabha studied at the Nagpur School of Art. After moving, she went on to graduate from the Sir J. J. School of Art where she met her husband who was a fellow student. B Prabha made it in the art world at a time where there were very few women artists.

Krishen Khanna: Bandwala with Dog

On the canvas, Krishen Khanna's main concern has been with the human condition and its moral predicament. His approach to this came from a search for allegories that lent themselves to pictorial interpretation and irony. One of his most popular themes is the ‘bandwallahs’ whom Khanna encountered when he was driving out of the Garhi studios in New Delhi.

Biren De Tantric's Abstraction

Known for his Neo-Tantric paintings, Biren De molded an artistic career for himself across five decades, beginning as a portrait painter. The early works were figurative and strongly influenced by Post-Impressionist European painters.

Raghu Rai - Early Photographs

Raghu Rai started taking photographs when he was 23 years old. In 1966, he joined the staff at The Statesman in Delhi. Henri Cartier-Bresson nominated Rai to join Magnum Photos in 1977 after seeing his work in an exhibition in Paris.

Jamini Roy's : Sculpture Sketch

Jamini Roy’s inspiration for folk art led him to experiment with sculpture along with paintings and sketches even though he had no formal sculpture training. This artwork depicts a preparatory sketch of three sculptures similar to crude dolls from folk art.

Francis N Souza's Noel Chemical

Francis Newton Souza was one of modern India’s leaders of art and is known for his organic and complex growth in his works. In 1976, Souza migrated to New York and redefined his style of art.

Jamini Roy's Early Village Women

Jamini Roy's rejection of the Western academic style of painting led to him being inspired by Bengali folk paintings. Before he made the complete switch to the pat style paintings, he was depicting village life and folk. This work shows a personal reconstruction of another Indian reality that was often not seen in urban areas.

Francis Newton Souza's Goan Village

Born in 1924, Souza is best known for being one of the founding members of the Progressive Artists Group. Francis Newton Souza’s ‘Goan Village’ is an early masterpiece of the Goa-born artist.

Ram Kumar : Mazes of the Mind

Ram Kumar was an essential part of the first generation of postcolonial Indian artists. He was born in Shimla, Himachal Pradesh in 1924 and was a member of the Bombay Progressive Artists Group along with other popular artists like Husain, Raza, and Sadanand Bakre.

Steinway: Concert Grand Model D

Steinway & Sons was established in 1853 in Manhattan by a German piano builder named Heinrich Engelhard. Steinway has since become well known for producing and inventing new techniques ever since they started the business. Today, they are arguably one of the best piano manufacturers in the world.

The Course of the Empire Series

One of the United State’s first landscape artists, Thomas Cole, can be considered as the father of the Hudson River School. Cole romanticized the wilderness of upstate New York. To him, wilderness and nature were meant to be admired and respected. It was never meant to be controlled, tamed, and made civilized.

Sculptures : It’s All Greek to Me!

Alexander the Great can be said to be responsible for the Greek influence in Ancient India. He started to conquer kingdoms in the east and made it all the way to modern Pakistan and the Indian state of Gujarat. He turned back once he was defeated by King Porus in 326 BCE.

Expression of Pain : Somnath Hore

Somnath Hore was one of the most prominent political artists and activists of post-independence India. His affiliation with the Communist Party at an early age strongly influenced his artistic ideologies and methods of art practice. However, his career as a student of art and later as an art practitioner was unlike his contemporaries.

Sailoz Mukherjee : Oil Painting

Sailoz Mukherjee was one of the pioneering figures of modern Indian art in the twentieth century. During the early forties, when India was at the peak of its struggle to attain her own independence and identity, the art community of the country was striving to locate its indigenous understanding of modernity.

K.G. Subramanyan (1924-2016): An Overview

K.G. Subramanyan’s artistic oeuvre reflects the synthesized modernism in post-independence India, that was devised to accommodate the varied Indian artistic aesthetics and history as a continuation of cultural pursuits.

K.G. Subramanyan (1924-2016): An Overview

Jamini Roy

Life, Painting Style, and Most Famous Artworks To write in brief about the artist Jamini Roy - he was one of the most iconic figures of modern Indian art of the mid-20th century, Jamini Roy’s reputation spilled over from the art world into a larger public and popular domain, and even as his name became synonymous in modern Indian art history with a reinvented "Bengali folk" style.

Bhabesh Chandra Sanyal 1901 – 2003

B C Sanyal, as he was popularly known, was a doyen of modernism in Indian art.

Sunayani Devi (1875 – 1962): An Overview

Sunayani Devi was an Indian painter born into the aristocratic Tagore family in Calcutta, West Bengal in 1875. She was a self-taught artist with no academic training in art. Inspired by her brothers, Abanindranath Tagore, Gaganendranath Tagore, and Samarendranath Tagore, she started painting only at the age of 3. She was married at the age of 11 to the grandson of Raja Ram Mohan Roy.

Sunayani Devi (1875 – 1962): An Overview

Prodosh Dasgupta (1912-1991)

Prodosh Dasgupta was a crucial figure of that mid-20th century generation of artists in Bengal who were giving shape to a new vocabulary of modernism in Indian art. His role was particularly important in defining a distinct place for modernism in Indian sculpture, in advocating the concept of form as an independent identity in sculpture, and in pioneering a style of semi-abstract three-dimensional figuration.